Tag Archives: The Stillest Hour

Live audio track featured in Blackmail Press #28

The latest issue of Blackmail Press is now online and features a live performance of my poem, The Stillest Hour with Sheish Money. This was a real surprise to me as I can’t even place when and where it was recorded, so that made it even more of a thrill to hear. The issue also features poems from over 40 poets, including Scott Patrick-Mitchell, David Eggleton & Jennifer Compton.

Hours of reading/listening to be had, so kick your weekend off by dipping in to some fine poetry. It is waiting to be discovered here: http://www.blackmailpress.com/Index28.html

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Aural Text Award: And the winner is…

Adam Gibson and his band The Aerial Maps for their 2008 album, In the Blinding Sunlight. Here’s what the judges had to say:

“Adam Gibson’s In the Blinding Sunlight is a poetic triumph. It mixes the exquisite, ethereal language of love with the firm vernacular of the everyday. Beautifully written, beautifully musical and just beautifully executed. The best thing is it is a CD you want to play again and again and again. For me, it doesn’t get better than that.”

– Alicia Sometimes

Here’s a clip of their song The Great Australian Silence:

Highly Commendeds were awarded to Going Down Swinging 25 (double CD issue), A Million Bright Things - QLD Poetry Festival 2009, As If Nothing Happened, And It IsPaul Mitchell & Bill Butler and of course The Stillest Hour recorded by Sheish Money & myself.

I am wrapped to be in such fine company and the other highlight is that Sheish and I have tracks featured on two of the other shortlisted albums (GDS 25 & A Million Bright Things).

The other exciting news from Overload is that two of the films I worked on with Cindy Keong also received Highly Commended Awards in the Poetronica Section (award for best new media poem). The films that received awards were Viewpoints & White Crane.

Here’s the clip for White Crane:

 

Happy times indeed!

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Shortlisted for the Aural Text Award

Received some really nice news this afternoon, the CD I recorded with Sheish Money, The Stillest Hour has been shortlisted for the Aural Text Award.

While I don’t know the complete shortlist, I do know that the QLD Poetry Festival CD – A Million Bright Things is shortlisted, so I know the competition is strong.

The winner is announced on closing night of Overload Poetry Festival this Sunday, September 19. Will keep you posted!

You can listen to a couple of tracks from the album here:

Brisbane Love Poems and Gutter & Edge

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Nomads featured on Poetica

Nomads was featured on Poetica yesterday as part of their audio/file/poets program alongside some mighty fine artists including Hinemoana Baker & Teresia Teaiwa, Don Walker & StJAM, alicia sometimes, Stephen Oliver & Matt Ottley and Nathan Curnow.

You can download the audio of the show here or if you are in Australia, you can listen in to the show when it is repeated this coming Thursday (Feb 25) at 3pm or 4pm if you are in WA.

It’s always a thrill to have your words and sounds sent out over the airwaves and it is great timing as just yesterday I sat down and listened to a new batch of tracks that Sheish and I have been working on as the follow up to The Stillest Hour which we launched late last year… so keep your ears open… some new sounds will be posted here very soon!

And here’s the text of Nomads so you can read along…

Nomads

We were dizzy with heat and feeling a little sick. All day the temperature had been climbing and it was still thirty-nine degrees. When I got out of the car, I almost fell over. The telephone pole wilted in the haze of evening and the motel’s neon sign dripped colour. Yes, there was a room, no air-con. On television, there was a film of us driving across the endless Nullarbor, delirious with laughter and sand. When the baby cried, I woke to turn the television off and the seething heat sent us packing back to the car. We drove in shifts, the baby sleeping on the back seat, arriving at dawn when the sky became menacingly colourful. The shattered windscreen bursting with needles of light. Every motel was our destination. On every television in every motel room we drove on to keep the baby from crying. Outside, the No Vacancy signs, turned to flame.

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Poetry Speaks

I came across this site over at Electric Alphabet today and it is well worth exploring. The site is called Poetry Speaks and as Kate says in her title, it may just be better than an iTunes for poetry. There is alot of poetry to explore already, including classic works from Rimbaud & Baudelaire, more contemporary works by Aimee Nezhukumatathil, Derrick Brown and the founder of Slam, Marc Kelly Smith, who performed at QLD Poetry Festival in 2006.  And just as importantly, you can also get involved in the Poetry Speaks community by registering a free account and uploading your work. You can also sell your work via the Poetry Speaks site. Lots of potential here… I have already been over and had a play, uploading The Stillest Hour and Brisbane Love Poems. That said, I am off to spend some more time in the Poetry Speaks playground…

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Another Lost Shark Special Offer: The Stillest Hour + Measuring the Depth

Well, there aren’t many copies left of either of these items, and after all, there’s no point them adorning my shelves, so this Lost Shark is offering them as a package for $20 incl. postage.

So if you want to get your ears around my debut CD, The Stillest Hour, recorded with the master of the poetic riff, Sheish Money and your eyes on my 2005 collection, Measuring the Depth, shoot me an email at: geenunn(at)yahoo.com.au or leave me a comment below and I will get in touch.

Or If you would just like a copy of The Stillest Hour, you can order one as a separate item for $12 (incl. postage).

And to give you another taste, here’s a track from the album: Gutter & Edge

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QWC Blog Tour stops by Another Lost Shark

The good folk at QLD Writers Centre have set sail on a blog tour from October to December this year, stopping by a number of sites and asking the people behind them a few questions about what makes them tick. So here’s what this Lost Shark had to say when they came knocking.

 

Where do your words come from?

Quite literally, all over the place. I often think of myself walking the streets of Brisbane (or wherever I am) with a net, trawling through the multitude of images in search of the ones that will have a lasting impact. I am also hugely influenced by music. I have quite a large instrumental music collection – everything from the sprawling post rock of Godspeed You! Black Emperor to the more delicate sounds of Seaworthy. The way these musicians create narrative and visual images through patterns of sound really fascinates me. More often than not, I have music on while I am writing. Sometimes it stays in the background, other times it drives the creation of the poem. And while I am talking about music, I have to mention how much my work with Sheish Money influences what I do. He, more than anyone, has helped me find the music in my writing. My other major well of words are the conversations, stories and snippets of life that are shared between friends, family and loved ones. But most of all, the words come with their share of sweat. Capturing the idea is often the easy part, shaping it is where the real work is.

 

Where did you grow up and where do you live now?

Well I grew up in Mt Gravatt and live in Mt. Gravatt. In fact, I (unashamedly) live five streets away from our family home. My wife often says my history is contained in five streets. And that is true in many ways… I did however, spend several years in rural QLD in the mid-nineties and really loved it. My four years in the little township of Jimna (north-west of Kilcoy) was when I really started to develop a serious interest in writing. All that solitude, fresh air and leafy surroundings really centred me and gave me the time to work on my craft… and to read. There are times when I miss that slower lifestyle, but Brisbane is such  an amazing city to live in and I love having family close by. I was really honoured when Samuel Wagan Watson dedicated the poem Tigerland (from Smoke Encrypted Whispers) to me. Mt. Gravatt (or Tigerland as it is affectionately known) is where I grew up and where I truly feel at home.

 

What’s the first sentence/line of your latest work?

I make a fish from an alphabet

 

What piece of writing do you wish you had written?

Dionysus & the Fire by Steven Heighton.

It opens with the Irish Proverb – Never arm a man who can’t dance.

Tonight
Dubrovnik burning
& one time Lhasa, London in the blitz
& last year in the Gardens of Babylon, just wilted
women’s shawls
widowed with ash, with atoms of a daughter, son
fresh-weaned from this breast of a planet
left hanging

  & the war?
the war is as good as won
  & the brain?
the brain is a smart bomb
  dance

The words of this long poem bristle with energy (this is just the first stanza above). It is a poem I often read at open mics or as part of a live set. It’s the poem I read when I need a kick in the pants or I think the audience needs one.

 

What are you currently working towards?

I am working on putting together a new collection of poems titled Ocean Hearted. I have had this in the pipeline for a while now, but put it to one side to complete work on the CD The Stillest Hour this year. I guess like most writers… I am working toward having more time to write, although I think I do okay.

 

Complete this sentence… the future of the book is…

Safe. The sensory hit of holding a book is something that I firmly believe will continue to mesmerise us for eternity.

 

To follow the tour, visit Queensland Writers Centre’s blog The Empty Page.

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Back in the Studio

Sheish and I are back in the studio working on the first tracks for what will eventually morph into the follow up to our debut CD, The Stillest Hour. And after steady gigging over the last two to three months, the chemistry was immediately there. We lay down the first takes of seven new tracks, including new(ish) poems And What Voice Says and Heyford Street.

We also recorded a couple of older poems, Hide and Break Away, both of which were published in issue 5 of Mascara Review.

Here’s a new edit of Break Away:

 

Break Away

i.

This landscape folds in on itself. Everything that
moves – wind, dust, laughter – changes. Streets
soften. Sunlight plays across glass, but windows
appear blank unless viewed from within. Walls
begin to sweat & sour. We give it up & go.

ii.

You’ve put on your Marilyn perfume. Our old
letters have never smelled so sweet, our
memories seemed so true. I’ve plotted our escape
to the island – dawn light breaking in the window
salt breeze carrying the ocean’s secrets.

iii.

It’s past noon and the weather can’t hold. Take off
your silence and your coat. Let’s chance it – throw
ourselves to the season. There’s a cold that starts
in certainty. You see? There’s only one thing
left to do. Sweep you off your feet.

iv.

Here’s a necklace of water. A puzzle
that began the night your mother walked
along the shore and took the ocean by its lapels.
Empty your basket of black stones. When we
arrive, sunlight will follow, the waters will calm.

 

Yeah it was sounding good… this one won’t take us two and a half years!

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Launched!

Well, The Stillest Hour is now well and truly launched. Last night, Sheish and I shared the stage with Helen Avery and Hinemoana Baker, and for a few tracks, Hinemoana, Sheish and this Lost Shark formed a three-piece with me sitting in on drums. For those of you who were there, you would have seen that playing drums makes me smile…

The coming together of friends, family and the poetry community makes magic. The crowd was a sea of smiles and the energy buoyed us along, each track, topping the one before it. It was one of those rare nights, where all the factors were just right.

I want to finish this post with the words of Hinemoana Baker, who launched our CD. We were (and forever will be) honoured.

———-

MIHI – ke te mihi atu ahau ki nga tangata whenua o tenei
wahi, ki nga iwi e kiia nei ko Yagerra, ko Turrbal nga
ingoa. Kia kaha koutou ki te tu motuhake, tu teitei i runga
i to mana whenua no mai ra ano.

It’s a great pleasure to be standing here to introduce and
launch this new taonga, this new treasure, ‘The Stillest
Hour’, by the spokenword supergroup that is Graham Nunn
and Sheish Money, performed by both of them and produced and
recorded by Sheish.

There’s an enormous amount of respect between these two,
as artists and as people, and there’s nothing sweeter to
me than the sound, and silence, of two people really
listening to each other. Both the music and the words on
this make as much room for jamming as for planning, for the
wildly unexpected as for the softly nostalgic.

So I don’t use the musical comparison lightly – I say
‘supergroup’ both because these two are superb acts in
their own right who also bless us by sharing the stage, and
because to me, rather than being a poet and a musician
standing before you, these two are more like a band, where
the lead singer happens to speak rather than sing. There’s
that kind of listening going on through the whole thing,
there’s that kind of rhythm, melody, dynamic, low and
loud, hard and soft – in the meanings of the words as much
as in the sounds Sheish makes. It’s a rare and wonderful
combination – Graham is a poet AND a musician, Sheish is a
musician AND a poet, so there’s a mutual co-creation,
every show is a unique opus with two composers.

And what’s even better is that this show (ie the CD)
and the one you’re about to see aren’t the same.
And never shall be forever and ever amen – and
that’s the beauty of what these two create. Tonight, when
you watch this performance and then buy the album you’re
getting way more bang for your buck.

What you’re about to see is a glimpse of something
that’s still very much alive, still responding to the
organic nature of what it is that we do and continue to do
as artists and engineers and audiences: which is to make,
and to love the making.

E nga manuhiri, ladies and gentlemen, Graham Nunn and Sheish
Money.

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New track from The Stillest Hour – Ocean Hearted

Well, the launch of The Stillest Hour is less than 24 hours away, so to celebrate, here’s another track from the album for your listening pleasure. Ocean Hearted is dedicated to my two lovely grandmother’s who showed me the beauty, grace and power of the ocean.

Long may the waves call their names.

Listen to the track here.

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