Well I am finally back in home waters and my head is leaking poetry, thanks to an incredible weekend in Goolwa + Tuesday night’s Riverbend Books reading & last night’s Back Room event at Confit Bistro.
So my thoughts on the Salt on the Tongue festival…
Let me start by saying that Goolwa is beautiful country and it was a true privilege to be welcomed to the land by Aunty Eileen of the
Ngarrindjeri people, in traditional language as part of the festival’s opening night celebration. Other highlights of opening night were the debut screening of a film produced by Joe Dolce, featuring one of the last ever interviews with the late Dorothy Porter, detailing her love of C.P. Cavafy and the festival launch speech by Stefano De Pieri, best known for his television series A Gondola on the Murray and his work with the Mildura Writers Festival. Stefano spoke passionately about the land and the devastation of the Murray River as a result of the years of irrigation; his speech brimming with the same wild fire that makes poetry so vital, concluded with a poem about the Murray written by Paul Kane.
And then came readings by the international guests: Glenn Colquhoun (New Zealand) who charmed the audience, reading a series of love poems for an ex-girlfriend who was born in South Australia; welshman Robert Minhinnick; Slam Queen, Arianna Pozzuoli (Singapore) who lit up the stage every time she got near a microphone; and Elizabeth Smither (New Zealand). A big first night… and after rising at 4:30am it was time for this Lost Shark to close his eyes and prepare for Saturday.
Saturday kicked off with readings from Bronwyn Lea (her poem Insufficiaent Knowledge gets better every time I hear it), who then introduced Yvette Holt who read a selection of her work from Anonymous Premonition and Sandra Thibodeaux who’s new collection ‘extinctions’ is an absolute gem. Favourites from her set included Extinction (An obsession with the sea steers his poems/ but he’s no lovelorn sailor/ no spilt seaman) and Rabies (Your dog bit me/ right on the throbbing part of my thigh./ And I know why:/ he sniffed that I was another mongrel/ grovelling fro your scraps). A bristling first session!
This was followed by a reading from three Tasmanian Poets – Esther Ottaway, Anne Kellas and Adrienne Eberhard. I was particularly taken by Adrienne’s work. Her poems Phosphorescence (When I pull the rope, a bucket/ of drowned stars appears, as if the night-/ sky’s fallen into the sea) and Earth, Air, Water, Fire: A Love Poem in Four Elements ( from earth: We carry caves inside us/ – the heart’s dark chambers,/ water-washed cavern of the womb) are still resonating with me.
Then we were off to Cafelicious for the launch of Andy Jackson’s debut collection, Among the Regulars. While it was sad that Andy’s book was not there for the launch (it is however now available online), it is always a pleasure to hear Andy’s wonderfully physical work. And he is one of Australian poetry’s true gentlemen! You can find out more about Andy’s book here.
Following this we took off to catch the end of the Motherlode launch. And what a launch. This was a true poetry sampler, with 21 of the included poets (incl. Jordie Albiston, Jill Jones, Jan Owen, Rebecca Edwards, Jude Aquilina, Lisa Gorton) getting up to deliver a poem from the anthology. Motherlode is an incredibly vital anthology and it was a real treat to hear so many of the voices in one live setting.
It was then time to prepare for my own reading alongside Alex Skovron, Sarah Day & Louise Oxley. I have long enjoyed the work of each of these poets so it was a real thrill to be able to introduce them and hear them weave their spell. Many of their lines are still circling in my head:
‘one night a thousand calendars from now’ – Alex Skovron
‘ with a brushstroke I can take myself into and out of the dark’ – Louise Oxley
and Sarah Day’s description of a cat poised, ‘a laser beam of concentration’
I closed the session with a reading of work from my new manuscript Ocean Hearted. It was very well received and it was lovely to have people such as Jan Owen and Brook Emery in the audience who gave some very positive feedback. It was also lovely to hear from James Waller (Director of Melbourne’s Overload Festival), that the reading reminded him of the quiet power of a well read poem. A session that will stay with me for some time…
Saturday night’s main session was a symposium on the state of poetry in the country. While it was wonderful to have a gathering of minds, sharing their thoughts on various aspects of Australian poetry – establishing touring circuits, models to overcome the difficulties with distribution, the merge between Australian Poetry Centre and the Poet’s Union – for me the event missed the mark. Too many of the speakers approached the forum with a narrow focus, speaking emotively about specific strategies being implemented in their state, when what we really need to be looking at is the bigger picture of audience development on a national (and even global) level. Julie Beveridge presented some really interesting data, gathered from a survey of more than 50 poets in Australia, which confirmed that audience development is where our national body needs to be focussing its energy. I do, however, think there are some interesting discussions beginning, as on the positive side, the forum provided an opportunity for many of us to network and make stronger connections.
These discussions continued at the festival club, housed in a little boutique brewery right on the river… and to soundtrack the discussions Max_Mo were carving out a mean groove, featuring some cool jazz and the words of Amelia Walker, Mike Ladd & Rob Walker. A great way to close a massive first day…
I will post my highlights from Sunday and Monday + a few photos tomorrow night.