With the swirl and bombast or Tortoise still ringing in my ears, I bring to you this 41st edition of the Friday Night Lights Project. While I was out collecting sounds, Cindy was exploring the boundary of barb wire and Ashley was deep in the weather, awaiting a transformation. And in it all, we found the light.
**********
There could be snow
there could be more than
a fifty percent chance
this rain will admit that,
yes, deep down, it is ice
outslicking oil spots
in my driveway
taking a call
there could be a man
who could be more than
his occupation
tapping his lucky shell
and the phone a final time
hopeful this work day
turns into something else
AM
**********
CK
**********
rudder through humid streets
salt spectres pulled by
the current of music
past the boys who circle their
boom box fingers shredding air
to a Metallica riff
the cabbie with the black eye and
broken arm who nods along to The Kinks as if
he’s just left his own battered Lola
the brown-skinned teen all sensation
below the hips hula-hooping a hundred
turns a real California Girl
to the busker who stands in a single
spot of streetlamp his sodden skeleton
shimmying to The Stones
while a halo of moths spins
more than the coins at his feet
they urge him to play on
GN


I love the idea of barbed wire transformations via spinning moths; that is the impression I get this week, and it’s grand!
Most definitely a grand impression A! The light just keeps shining…
Okay…Graham…this poem is just Brilliant! The musical reference really creates flashes of lighting in the poem.
Thanks Charles! Glad this kicked up some sparks!
Love Ashley’s poem – rolls along nicely with expectation; and Graham your poem is a mish mash of music and action on the streets – cool!
Thanks Gabe! And Cindy’s photo is the razorlike boundary between the two worlds…
i see the tension between expectation & actuality strained like fencing wire, ready to snag the unwary…